Buyers, sellers, art and music connoisseur, artist, Musicians as well as others can enjoy as well as use the tips given in blogs for knowing more of Arts and Music.
The community grows by sharing and caring. Helping to promote artisans.
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Art is booming! Indian art is the new avenue for investment! The headlines are
screaming names of Indian masters and the amounts they are being sold for. Artist Tyeb Mehta’s ‘Mahishasura’ being auctioned for $1.5 million is still quoted in
any article on the Indian art market. Suddenly people who wouldn’t know their
Hussain’s from their Raza’s want to buy ‘Art’ and reap golden dividends on their
‘investments’. This brings us to the moot question that every new investor
would like an answer to “How to invest in art?”
Know your art: When it comes to buying stocks you would undoubtedly study the
market, go through past company records, see the financial health of the
company. Investing in art requires the same amount of understanding and
research, only in this case you will be focusing on the artist whose work you
are planning to buy. Following are the points that you should cover in your
research:
Go through his profile, it makes a difference if the
artist has been to an art school or is self-taught.
Consider which galleries are promoting the artist, how
many exhibitions has he shown his works in, who have been past buyers of
his works, have his works been acquired by art museums or institutions?
Before zeroing in on a particular work, see the
previous and current works of the artist. Ideally it is advisable to
purchase work in the particular style associated with the artist. A one-off experimentalize work may appeal to you but would perhaps not be the
best option when you seek appreciation on your investment.
For a artwork to have an appreciation value it must be
‘timeless’ which means it should be able to transcend currents fads and
trends. For instance, the Indian art market a couple of years ago was
flooded with images of the Buddha, with new buyers seeking the Buddha in
line with the Feng Shui fad; these have little or no investment value.
Consider the provenance of the work, especially if the
artist is well known. Insist on an authenticity certificate, signatures
are very easy to forge and with the high prices that well-known artists
command, fakes are a lucrative market.
Of course, it the job of gallerist to guide you
before you make your purchase, but always bear in mind, that they too are
interested in making a ‘sale’ so learn to read between the lines.
Established or
Upcoming Artist?
This question can be easily answered by considering what returns you are
seeking. If you are looking for short term gains then by all means buy an
established artist, where you are likely to make an estimated 20% gain annually
if you choose to resell your work. However, if you are able to have a lock in
period of about 8 to 10 years for your investment, then upcoming artists are a
more exciting option. For the reason that if the artist you are backing does
become a sensation, then your small investment will truly escalate, besides you
get the satisfaction of knowing that you have a good ‘eye’ for art and chose
well. It is always advisable to balance your art portfolio with works by both
established and emerging artists. Just as not all upcoming artists will be
successful, similarly not all works by established artists are masterpieces and
appreciate in value.
Art for Art’s sake! Purchasing art cannot be just a business decision, because
unlike stocks, here the ‘product’ that is the paintings should appeal to you on
an emotional level as well. In fact, very often an artwork that manages to
capture your imagination and wonder; is most likely going to appreciate in
value as well. Again, unlike stocks, you are not going to get monetary
dividends from your investment, but you can get hours of viewing pleasure from
your artwork. Besides, you are likely to maintain a gestation period before
re-selling the artwork, so you may as well purchase something you like – buy an
artwork for its intrinsic value, the material returns will follow!
Art Funds: For those who wish to take advantage of the art boom, but
would rather leave the purchase of artworks to the experts, there is the option
of Art Funds! They function in a manner similar to the mutual funds and here
their portfolio consists of works by artists which their experts recommend.
Some art funds that cater to the Contemporary Indian art market are Copal Art,
Edelweiss Securities, Crayon Capital and Osian’s Connoisseurs of Art. These
funds are listed on the stock exchange and you monitor their performance. These
funds will have a minimum investment requirement and lock in period as well.
After deducting their managerial fees, they distribute the profits from the
sale of the artworks to their investors.
A word of caution though - Investing in Art Funds does not guarantee a return:
evaluate an Art Fund carefully like you’d evaluate any other similar investment!
The essential basic point to remember while investing in art is that it is not
a very ‘liquid’ asset. There could be instances of artists you have purchased
not appreciating in value, there could be a long gestation period. At the same
time, ‘art’ is probably the only ‘collectible’ which has a reasonably
structured and transparent market. Prominent galleries which deal with the top
level artists can even offer you a buy-back guarantee on the artworks. Ride the
boom of the Indian art market but play safe for when the levelling process sets
in!
Art – paintings, sculptures, tapestries, drawings, whatever the genre it represents is something unique, beautiful, and deserving of special care. Artworks may be masterpieces or done by upcoming artists, the support used may be paper, canvas or cloth, whatever the medium involved all artworks need to be cared for in a special manner. Would you leave a diamond unsecured or an exquisite crystal piece on the floor, the same applies to paintings, they require and demand care if they are keep giving you viewing pleasure for many years to come.
Let us explore the elements that are the main threat to artworks:
Light: With light we walk a fine line, you need good light to view the works with all their details and nuances, at the same time too much can fade the colours and as a heat source, light can damage the works by drying them. When placing lights make sure that it does not reflect on the artwork, this is the ideal distance to be maintained. Also avoid direct sunlight by not placing the works opposite windows which not only could fade the paint but also discolor the paper. Another good idea of reducing the effects of light is to use non-reflective glass or UV-coated glass while framing paintings.
Humidity: Damp can cause pictures to ripple. If the ripples touch the glass, the picture might stick and be hard to remove. Damp also encourages fungal growth - likely to show as brown stains. It is always best to avoid hanging framed pictures in humid conditions i.e. bathrooms. Allow six months before hanging pictures on newly plastered walls. Ideally, cool storage is desirable for archival materials. Fluctuations and extremes in temperature and humidity levels can have a detrimental effect upon the preservation of archival materials. Try to keep the temperature at one level 24 hours a day, 365 days a year; don’t change settings for nights or weekends. While this may be difficult to maintain in a home, the perfect temperature is recommended to be 67 degrees Fahrenheit or about 20 degrees Celsius the humidity level should be about 47 percent. Keep objects away from heat sources such as furnace vents, fireplaces, warm lights, and direct sunlight.
Pests: There are a variety of insects that can damage paper, photographs and leather artifacts; primarily, silverfish, firebrats, carpet beetles, and the book louse. In general good housekeeping is the best method of deterrence. Regular inspections of stored collections provide the cheapest and safest method of safeguarding against infestation. Screening on windows and doors will aid in keeping out larger pests. In addition, fresh flowers and plants should be inspected before being placed in the vicinity of your artworks. When infestations are suspected, sticky insect traps can be placed under cabinets and cupboards. These traps do not poison insects; they aid in assessing the numbers and types of insects that are present. In general, insecticides should not be used on or in the vicinity of archival materials. Insecticides can cause fading and discoloration of paper, leather, and parchment. If you find an infested item, place it in a sealed plastic bag and contact a professional immediately.
Pollution: Dirty air! You may wonder at the term, but air pollution does not merely affect our health, but also the health of your paintings. Tiny microscopic particles of pollution settle on the artwork and affect the paint and the appearance of the work. Research shows that not until at least 12% of the work has been affected will the normal human eye be able to detect the effects of pollution.
Mold: Areas of high humidity and damp are highly susceptible to damage by mold growth. Any appearance of mold must be immediately removed; the best way is to use a soft brush and low suction vacuum cleaner. In case a vacuum cleaner is not available brush the mold onto a paper and then dispose off it. The aim is to not let the spores of mold spread in the air. Also remember not to use the brush again without cleaning it effectively. So now that you’ve read about the factors that can cause damage to your artwork, let’s see how their effects can be prevented or mitigated:
Framing: While framing ensure that the board and mount are made of acid free materials. Paintings, especially those made of natural pigments, like the traditional Warli artworks, should be framed under glass so that the pigments do not flake due to environmental factors or accidents. Canvas works on stretchers may sag over time, it is best to get them tightened or re-stretched at a professional framers, every five years. Storage: At any point of time if you need to store any artworks, especially paintings need extra care. Place them flat in a crate if possible and ensure that the wood used for the crate is acid free. Paper works and photographs need more care while storing. Keep a regular check on stored artworks of artists to prevent the prevalence of pests, mold etc.
Cleaning: Clean artwork gently, dust frames or treat with a soft brush, rather than applying water or cleaning fluids. At all times ensure that cleaning fluids or water do not touch the varnished surfaces of oil paintings. Do not directly spray cleaning fluids onto the glass of a painting; apply them on a duster first. Frames can also be susceptible to damage from cleaning fluids, dust them carefully instead. In the case of photographs or prints make sure you don’t touch them directly or you could leave prints. If by accident any artwork does get wet, dab it gently and leave it to dry, never rub!
Moving artwork: Paintings are at risk when you move them so do not do so until absolutely necessary. Remember to clear the way of furniture and other obstructions. If you feel that you can manage moving it on your own, carry the painting with the artwork facing you. Remove all items like jewelry, belts etc. to avoid scratching or tearing the surface of the painting.
Most people spend a huge amount on the artwork they purchase; unfortunately none of the artwork will come with a maintenance manual. If you practice the suggestions we have outlined above you will be able to enjoy the viewing pleasure of your artworks for a long time.
Paintings on canvas up to 72”x72” may be taken off its stretchers, rolled, and shipped in a heavy duty mailing tube between 8” and 12” diameter, depending on the size of the canvas. Make absolutely certain that your painting is completely dry before attempting to roll it. What you’ll need:
· Glassine paper or acid-free archival tissue paper
· Heavy duty mailing tube with plastic end caps no smaller than 8” in diameter and up to 12” (depending on the size of your canvas).
· A second tube of smaller diameter for inner support. (You’ll roll your artwork around this tube and insert it inside the larger tube.)
1 – Sandwich your canvas between two layers of acid free archival paper. Make sure that the canvas is completely covered by the paper.
2 – Roll the paper-covered artwork—paint side outward—around the smaller tube to provide inner support. DO NOT roll too tightly as this can damage the painting!
3 – Next, roll a layer of bubble wrap around the artwork for padding and to seal out moisture. Seal completely with tape.
4 – Place this tube within the outer mailing tube. Fill extra space at the ends with extra bubble wrap, but take care not to crush the edges of your painting. Place the end caps on and seal them shut with packing tape.
5 – Affix the shipping label to the package and put clear tape over the label so it doesn’t get removed during shipment. Clearly mark the tube as “FRAGILE.”
Very sturdy cardboard box if framed artwork is under 18”x24”
Custom wooden crate if framed artwork is larger than 18”x24”
1 – Use a sturdy cardboard box or build a custom crate that will fit the framed painting plus approximately three (3) inches of space on all sides. (This extra space will accommodate the layers of bubble wrap to be added.)
2 – If the frame has a protective glass or acrylic pane, remove it from the frame. If it does not, skip to step 4. Apply two pieces of painters tape diagonally across the glass/acrylic pane to form a large “X”. Should the glass break during shipment, the tape will help keep the broken pieces together.
3 – Sandwich the glass/acrylic pane between two sheets of foam board approximately 2 inches larger than the glass on all sides. Firmly seal the foam board sandwich all around with packing tape, making sure that the glass/acrylic panel does not shift around within.
4 – Wrap the painting in acid-free, archival tissue paper or glassine. Note that any material that will come into contact with the surface of the painted work should be archival quality.
5 – To protect against moisture, wrap the artwork with plastic sheeting or poly wrap.
6 – Add cardboard corner protectors to the corners of the wrapped work. You can buy corner protectors readymade, or you can construct them yourself. Several online resources offer instructions on how to make them.
7 – Wrap the framed painting in three (3) layers of bubble wrap, using packing tape to secure it.
If your framed painting is larger than 18”x24”, you’ll need to build a wooden crate and seal the work inside. If your framed painting is under 18”x24”, proceed to step below.
8 – Sandwich the wrapped painting within two sheets of foam board and tape all the way around to secure it.
9 – Place it inside a sturdy cardboard box. To minimize movement within the box, thoroughlyfillany empty areas around the artwork with shredded paper. The more snug the fit, the less the potential for damage. Seal the box thoroughly with packing tape, reinforcing the corners.
10 – Affix the shipping label to the package and put clear tape over the label so it doesn’t get removed during shipment. Using a felt tip pen, write “FRAGILE” in large capital letters on the package, or use readymade “FRAGILE” labels.
The above packaging method should be followed, even if your aren't and artist.
Use a custom crate for artworks such as sculpture, large flat artworks, paintings larger than 48"x48", and fragile items.
What you’ll need:
· Four (4) planks of plywood (¼ to ½ inch thick depending on size and fragility of the work) for the frame
· Two (2) plywood sheets for the front and back panels
· Drill
· Saw
· 1¼ inch wood screws
· Wood glue
· Foam board, ½” thick
1 Measure your pre-wrapped artwork (wrapped according to the instructions given for your particular work), taking down the height, width, and depth of the wrapped piece. If you’re shipping a painting, use these measurements to calculate the dimensions of your plywood pieces for the frame of your crate. Keep in mind that you will add a ½” foam board lining to your crate, so accommodate for this. If you’re shipping a sculpture, make sure that the crate’s dimensions are approximately three (3) to four (4) inches larger on all sides than the sculpture itself. The extra space will be filled with bubble wrap and shredded paper.
2 Cut four pieces of plywood according to the dimensions you took in step 1 in order to build a frame with an opening that can snugly fit your wrapped work. Remember to account for the thickness of the plywood when measuring length and height, and cut accordingly. The top piece of the frame should sit on and extend over the top edges of the side pieces, as it must be easily removable. This piece will act as the crate’s lid, to be unscrewed by the collector. 3 Begin building the frame by assembling three (3) of the plywood strips together with screws and wood glue, leaving the top piece (i.e. lid) off for now. It will be screwed on after the artwork has been placed inside. 4 Line the frame with strips of foam board, securing them on with tape or glue. If using glue to line the crate with foam board, wait for it to dry before finishing the packing process. 5 Cut two sheets of plywood to the same dimensions of the assembled frame. These will be the front and back panels of your crate. 6 Secure one sheet to the back of the frame using wood glue and screws. 7 You will then complete the packaging process by placing your artwork inside and sealing the crate around it. Lay a piece of foam board (the same size as the frame) inside the open crate, and place your pre-wrapped artwork on top. There should be no room for movement inside. 8 Cover your artwork with another layer of foam board. Place the other sheet of Masonite board on top of the frame, securing well with wood glue and screws. Do your best to ensure that the crate is air and moisture tight. 9 Clearly indicate which panel is the removable lid by writing “UNSCREW THIS SIDE ONLY” so the collector knows which panel to remove. If needed, write any instructions (using a black felt tip pen) on the crate that will help the collector easily remove the lid. 10 Affix the shipping label to the outside and put clear tape over the label so it doesn’t get removed during shipment. Clearly mark the crate or box as “FRAGILE.” TIP: For ease of transport, you can screw a cabinet handle to the top of the crate. The screws should be long enough so that the handle doesn’t come loose while someone is carrying the crate with sculptor or painting inside, but not so long that they protrude into the interior of the crate.
Below is the guide to follow for packaging your Arts:
All artworks that are 48” or above on any one side need to be packaged into a wooden crate.
IMPORTANT: Always make certain that your painting is completely dry before packaging it for shipment. Sometimes paint can appear dry when it’s not. Since drying time depends on such factors as the type and brand of paint, the drying mediums used (if any), the paint colors, etc., you must research the correct drying time for the specific supplies you’ve used.
Paintings smaller than 48”x 48” -
What you’ll need:
• Glassine paper or acid-free archival tissue paper
• Plastic sheeting, poly wrap, or heavy plastic bag
• Bubble wrap
• Foam board at least ½” thick or two-ply cardboard
• Packing tape
• Cardboard corner protectors
• Cardboard box
1 – Wrap the painting in glassine paper or acid-free, archival tissue paper. Note that any material that comes into contact with the surface of the work should be archival quality. We advise that you avoid touching the painting’s surface with bare hands by wearing white cotton gloves or placing acid-free tissue paper between the work and your fingers when handling.
2 –Take four (4) 8”x 8” square pieces of glassine paper or acid-free tissue paper (you may adjust the size of the squares to better fit the size of your work) and fold each in half diagonally to create a triangle, then fold in half again to create a triangle pocket. Place one pocket onto each corner of the painting.
3 – Taping only onto the tissue paper corners, tape the wrapped painting to a sheet of foam board (or two-ply cardboard) the same size or slightly larger than the painting for a firm backing.
4 – To protect against moisture, wrap the glassine-covered artwork with plastic sheeting/poly wrap or put it inside a heavy plastic bag. Use tape to seal all areas where water can enter and cause damage.
5 – Wrap the entire work with two (2) layers of bubble wrap for a protective padding. Wrap it as you would a gift, using tape to secure it shut.
6 – Place cardboard corner protectors on the corners of the wrapped artwork.
7 – Place the wrapped artwork between 2 pieces of foam board that are at least ½” thickness (or two-ply cardboard), forming a “sandwich.” Also, the borders of the foam board sheets should extend 2-3 inches beyond all edges of the bubble-wrapped artwork. Use packing tape to bind the foam board sandwich together. Be certain the sides are taped down firmly to ensure that the artwork doesn’t shift around within.
IMPORTANT: Take care not to apply too much pressure to the surface of your artwork. Doing so could create indentations on the stretched canvas.
8 – Place the foam board-covered painting into a cardboard box with approximately three (3) inches of space on all sides. Fill the empty space with enough bubble wrap or wadded/shredded white paper to ensure that the artwork doesn’t shift during transit.
9 – Use the H-taping method to seal the box. The H-taping method involves using long strips of packing tape to completely seal the opening flaps of the box. Use one long strip of tape over the horizontal opening between the two flaps, and two strips over the vertical sides of the flaps—forming an “H.” Apply additional vertical strips of tape as needed across the sealed flaps for added reinforcement. Illustrations of this method are provided by different sources online. Just type “H-taping method” into the Google/ Bing search box.
10 – Affix the shipping label to the package and put clear tape over the label so it doesn’t get removed during shipment. Using a felt tip pen, write “FRAGILE” in large capital letters on the box, or use readymade “FRAGILE” labels.
The above packaging method is not only for artist but also for anyone shipping an artwork.
Below is the guide to follow for packaging your Arts for shipping:
IMPORTANT: Always make certain that your painting is completely dry before packaging it for shipment. Sometimes paint can appear dry when it’s not. Since drying time depends on such factors as the type and brand of paint, the drying mediums used (if any), the paint colors, etc., you must research the correct drying time for the specific supplies you’ve used.
Paintings larger than 48”x 48” -
What you’ll need:
• Glassine paper or acid-free archival tissue paper
• Plastic sheeting, poly wrap, or heavy plastic bag
• Bubble wrap
• Foam board at least ½” thick or two-ply cardboard
• Packing tape
• Cardboard corner protectors
• Custom-made wooden crate
1 – Wrap the painting in glassine paper or acid-free, archival tissue paper. Note that any material that comes into contact with the surface of the work should be archival quality. We advise that you avoid touching the painting’s surface with bare hands by wearing white cotton gloves or placing acid-free tissue paper between the work and your fingers when handling.
2 –Take four (4) 8”x 8” square pieces of glassine paper or acid-free tissue paper (you may adjust the size of the squares to better fit the size of your work) and fold each in half diagonally to create a triangle, then fold in half again to create a triangle pocket. Place one pocket onto each corner of the painting.
3 – Taping only onto the tissue paper corners, tape the wrapped painting to a sheet of foam board (or two-ply cardboard) the same size or slightly larger than the painting for a firm backing.
4 – To protect against moisture, wrap the glassine-covered artwork with plastic sheeting/poly wrap or put it inside a heavy plastic bag. Use tape to seal all areas where water can enter and cause damage.
5 – Wrap the entire work with atleast three (3) layers of bubble wrap for a protective padding. Use more if you believe your painting requires more protection (e.g. it has a raised surface). Wrap it as you would a gift, using tape to secure it shut.
6 – Place cardboard corner protectors on the corners of the wrapped artwork.
7 – Next, build a wooden crate and seal the work inside
8 – Affix the shipping label to the package and put clear tape over the label so it doesn’t get removed during shipment. Using a felt tip pen, write “FRAGILE” in large capital letters on the box, or use readymade “FRAGILE” labels.
Hope the above is helpful not only to artists but also for anyone transporting artworks.
The YouTube video should help you understand the complete process.
"A work of Art works because it's true and because it's Real " - Yann Martel
"Art enables us to find ourselves as well as lost at the same time " - Thomas Merton
Art is the ultimate expression of an individual's personality, attitude and state of mind. The walls of his home are mirror image of the real Him/ Her. The moment someone enters the home, the wall art in the house reveals volumes about the house, the family, culture etc., therefore, one needs to be extremely diligent in selection of wall art. Below are some points to consider while selecting the same -
Select the most important and visible walls in your home. The art that you decide to bring into your house is important to you so give it room to shine by leaving some walls blank. It is not necessary to hang something on every wall. The mantle is a great place for a piece that you love as your eye is drawn to it and it is often one of the first areas noticed in a living room.
Mirror the size of the wall: If you have a long horizontal wall hang a long horizontal piece (or collection of pieces) on that wall. If you have a narrow vertical spot, place a piece that is narrow and vertical and that fills the space. By accentuating the height or length of the wall, you make the room feel larger.
Fill the wall - Don't be afraid to use the entire wall; many people think they can't handle a big piece of art when they can.
Color is important: Think about the feel of a color before placing it in your room. Light blues and greens are cool, serene colors that are well suited for a room meant for rest and relaxation such as a bedroom. It is nice to greet people in an entry space with warmer tones, welcoming them into the home.
Vary the texture of the pieces in your room. If you have a photograph behind glass above your favorite chair, you may want to choose a piece of art on canvas for above your sofa. Variety is good when you hang art in a room!
A frame can serve as a bridge between the artwork and the room.
When selecting a frame, it is important that it complement the furniture and architectural features of a room. Choose a frame to match the wood floors or if you have gold lamps in your living room, select a golf frame for the art. A frame can be particularly helpful when bringing modern art into a traditional home. Abstracts
Play with the lighting in the room: After placing the artwork, move your existing lighting around or think about adding new spots to illuminate the piece. A well-lit piece of art will draw visitors into your space.
Watch out for glare: When hanging art behind glass, stay away from walls directly across from windows as the light will create glare and the piece will be lost on the wall. Non-reflective museum glass is available at a higher price but worth it if glare is an issue.Landscapes
Art! It brings an element of vibrancy into your home or office. Choice of art often reflects your Aesthetics.
Your choice of art often reflects your own personality, your tastes, your aspirations… little wonder then that not only the choice of art, but also its display requires a lot of thought.
Placement: Where you place the painting depends on the subject and composition of the work and which room you determine would suit the mood of the painting best. However, that is not the only consideration; one even needs to consider which wall the painting is placed on. It is always advisable to place paintings on a wall that is a dividing wall within your home rather than on the perimeter. The simple reason is that the perimeter walls are more subject to temperature fluctuations and also the possibility of water seepage. These could result in fading of pigments, cracks forming in the canvas and increased yellowing of the varnish. If you would still need to display the painting on the perimeter wall then it would be prudent to place rubber or plastic behind the frame so that the work is not in direct contact with the wall. Displaying a painting above fireplace will expose it to extremes in temperature and soot and is a strict no, no. The same applies to having the painting above heating and air conditioning vents. Avoid areas of high humidity like the bathroom. The kitchen is another room which should not host artworks, the steam and fumes of cooking are bound to ruin the colors over time.
Framing: The choice of frame can detract or enhance the painting. It is essential that the frame should compliment not just the painting but also the décor of the room where it is placed. Normally smaller paintings need to be displayed with a mount. If you have a large wall, a museum style framing would help cover a larger area. A dark frame is normally advised for smaller works which help to bring the artwork into focus. For larger canvas works, keeping them on the stretcher would suffice, but they need to be checked regularly for signs of moisture or dust. Visit Artzyme.com, India's fastest growing original Painting portal where you will find framed as well as unframed options.
Lighting: It's a known fact that direct lighting can harm the paintings and cause the colours to fade. While the commonly used 'picture' lamps are popular, they cast a harsh glare which heats the painting unevenly. It is always best to have an indirect light source highlight the artworks, in the form of recessed lighting or spotlights in false ceilings. While using halogen lamps be aware that these emit a high level of ultraviolet light which damages artworks and hence should be installed with a UV filter. If the option is available, use tungsten lamps instead.
You may select exclusive range of Paintings by Eminent as well as Emerging artist on different mediums (viz. Acrylic, Oil, Watercolor, Mixed media etc.) on Artzyme.com. Abstracts, Contemporary, Landscapes, Figurative, Traditional Paintings like Tanjore, Warli, Miniature etc. on Artzyme.com.
Jut follow and live your passion the way I did while starting Artzyme
We believe that each one of us have an inborn talent, talent to sing, draw, paint, cook, write, and the list goes on. Some talents lay hidden with in us the entire life as we chose to ignore them or never get no opportunity, avenue to showcase or even explore the same. Some of us make it a conscious decision to make our talent our livelihood and some of us just a hobby. Then there comes those moments in our lives where we want to give up our existing jobs/ source of income to pursue our talents as we want to excel in our talent too. The question that arises in most of our minds is that do we actually run for our talents or is it the right time to pursue the same.
Below are Some tips or points that will help one take a decision on the same:
Ability:- The first and foremost decision to make is my skill, talent really worth or will I will be able to make a living out of it. In Order to succeed as an artist do you have that some level of artistic ability.
That's not to say that you need to be a master painter with a fine art degree. In fact you don't really need any formal qualifications to make a living as an artist. But you do need enough skill to produce consistently high quality work, and to have the confidence in your own work to be able to sell it.
If you don't feel like you're at that level yet, then you may need to get some more training.
Today, there are many online courses, short term courses available in classical drawing and arts, to give your talent the finesse and professional touch that it requires to get you success.
One important thing to note, is that just because you are still learning, that doesn't mean that you can't be earning at the same time. An artist never stops learning. You will never reach a point where you have nothing left to learn, so you don't need to wait until you are an 'expert' before you can make money from your art.
So if you have the spark in you to follow your passion, don't get down bogged down by what you don't have, just make that one leap, and path leads to your passion with little amount of hard work and sincere dedication.
Age:- If someone was to ask me does age really matter to change one's profession and that too for a perusal for passion, I would say Yes if your heart so doing fine, and you have no ailments. As new venture that one starts comes with stress, time to dedicate, complete involvement, and a bigggg RISK... And for that you may want to start young, like in late 30's or early 40's.. As after this one may not be as agile to handle physical as well as mental stress.
Finances:- How healthy is your bank balance ? Do you have enough bank balance to make it through without any income for the next one year? Is your project self funded? Or financed ? Do you have enough assets to cover up for your liabilities? These questions and many more need to be analyzed and answered before taking the Biggg Leap. One must have a consult a good financial analyst to making good conclusions and deductions and finally arrive at a decision.
"Creativity isn't some rare gift to be enjoyed by lucky few...its part of human thinking behavior" - Tom and David Kelly of Creative Confidence.
